Staff ID PT Jacob's Pillow
Students Shadow Physical Therapist Who Treats Professional Dancers

Rachel Vakassian, Class of 2027

In July 2026, I spent a Saturday shadowing a physical therapist, Morgan Pfizenmaier, PT, DPT, as she provided treatment for dancers at Jacob’s Pillow. She was super knowledgeable about the dancing body among all working bodies in general. I watched her welcome and treat dancers, interns, and various staff roles. A lot of her patients had similar problem areas, but Morgan’s treatment plan for each was unique to the individual. We saw three different patients come in with hip pain and low back tightness, but each case was handled with the same amount of expert care and resulted in a unique, individualized approach to treatment. This varied from soft tissue release to mobility exercises to dry needling, and most times, a combination of things.

When she had an open slot, Morgan allowed for “open lab” time, during which I got to practice trigger-point dry needling, cupping, hip mobilizations, and how to assess pelvic instability. In between patients, she would debrief on what she did with the patient and why, and open up the conversation for any questions I had.

Rachel Vakassian

Having been a dancer herself, she already had the knowledge of what patterns dancers physicalize, and used language such as “sickling” and “relevé” when talking to a dancer about patterns to avoid regarding their tight calves. It was refreshing to be in a space where the professional is already aware of the athletic and artistic demands of the dancing body, as it both maximized time and made for more effective treatment. Because of this, she was able to go in-depth about how certain limitations or muscle imbalances can affect jump landing mechanics, balance, and posture as it relates to dance. 

Dancers need health care specialists who understand their language, technique, and physical demands on a deeper level. Oftentimes, I’ve had physical therapists who are great in their practice, but underestimate my anatomical awareness. As a Dance major, I not only observe but also embody and experience challenging movement patterns that extend beyond normal range, balancing flexibility with strength. This unique experience has allowed me to incorporate anatomical language and movement analysis early on, expanding my knowledge of the human body. Dance demands many forms of physicality, and the Springfield College Dance program does a great job exposing us to a variety of dance forms from various backgrounds and cultures. I believe this cultural awareness is just as important as the physicality, ensuring patients feel comfortable, heard, and understood on another level. I want dancers and all performing artists to feel represented and understood in my PT practice, bridging the gap between physical therapy and dance. While dancers may perform well compared to a non-dance baseline, I empathize with the importance of ensuring that their injuries or limitations are not overlooked as a result. My interdisciplinary education is actively equipping me to combine artistry with evidence‑based care, ensuring that performers receive the specialized, empathetic treatment they deserve. 

Shadowing a PT at Jacob’s Pillow Dance Festival has helped me see my future career in a dance-specific setting. The dance world needs more scientists and health professionals backing it, and this experience gave me a lot of hope for my own future practice. Since I’m still in my undergraduate years, I haven’t gained a ton of hands-on experience beyond my anatomy labs, so this was a good learning opportunity to witness the physical application in a dance setting. Morgan also talked about different dance companies and the PT clinics they partner with, providing me with resources for future clinicals and shadowing opportunities.

PT Crum and Vakassian

Jacob’s Pillow Dance Festival is one of the most well-renowned historical landmarks and educational dance sites in the world. I am very grateful for our College partnership and the opportunities it has presented. The connections alone are enough to solidify future internships, jobs, and performance opportunities. This makes Jacob’s Pillow an opportune place for shadowing because they bring in professional PTs who have an extensive dance background and experience working with performing artists. In just one day of shadowing, I learned about more dance PT resources, gained hands-on experience, and witnessed what a realistic workday looks like in my dream profession. 

I would tell a prospective student interested in the Dance/Pre-PT to DPT program to go for it! This program has so much to offer, and is only growing from here. The small program size allows for closer faculty connections and more resources available to students. We’ve fostered a supportive, tight-knit community, I like to call family. I have learned a lot in my past three years of the program, not only about dance and physical therapy, but about myself as well. I recommend this program for any dancer looking to pursue physical therapy while continuing their love for the art form, and make a career out of it. The opportunities are endless in terms of where you can go with this creative dual degree, and the connections you’ll make while in undergrad. I could never imagine my life without dance being a part of it, and the Springfield College Dance/Pre-PT to DPT program has set me up for a profession I am passionate about. 

Arianna Crum, Class of 2029

While shadowing physical therapist Morgan Pfizenmaier, PT, DPT, at Jacob’s Pillow in July 2026, my main observation was how she was able to evaluate and create different treatment plans for people with similar injuries. Many of the patients who came to the clinic while I was shadowing complained of similar pain, yet they were all treated differently because the PT was able to determine that each patient had unique reasons for experiencing the same pain. Within a 30-minute appointment, she was able to evaluate these differences and treat everyone accordingly. Many people complain of similar issues, such as back pain, but everyone might experience it for different reasons. It is important that physical therapists are able to find and treat these different causes.

Jacob's Pillow

My major in Dance is so important to the PT program because dancers are such a unique population in terms of mobility and medical needs. Growing up as a dancer, it is difficult to receive proper medical care, so as a future PT, I want to be able to cater to all kinds of people and their unique bodies.

Shadowing the PT will help my future career because I am a very visual learner, so it has been so helpful for me to get these hands-on experiences and apply what I am learning in my undergraduate courses to real patients in a clinical setting.

Prospective students should consider the Dance/Pre-PT major because I have gained valuable experience in both dance and physical therapy, while also seeing how these fields can interact. I chose this major because I would be able to study both of my interests without compromising either field of study. I’ve been able to learn that dance and physical therapy are actually more connected than I thought. It is also valuable that I have already been accepted into the Springfield College graduate DPT program and won’t need to reapply. 

About the author

Rachel Vakassian, Class of 2027

Rachel Vakassian is a senior Dance/Pre-PT student at Springfield College. Originally from Westerly, RI, she chose Springfield College because of its welcoming Dance program and the unique opportunity to pursue this creative degree directly into the Doctor of Physical Therapy program. In her interdisciplinary studies, she aims to bridge the gap between physical therapy and the performing arts. She enjoys being involved on campus and is currently the vice president of the SC Dancers. 

Rachel Vakassian, Class of 2027

About the author

Arianna Crum, Class of 2029

Arianna Crum is a sophomore in the Dance/pre-PT to DPT program at Springfield College. They are very involved in all aspects of campus, and serve as treasurer for the SC Dance Club and the Gender & Sexuality Alliance.

Arianna Crum, Class of 2029